{"id":1574,"date":"2017-11-09T12:22:20","date_gmt":"2017-11-09T01:22:20","guid":{"rendered":"http:\/\/www.oldtreasurybuilding.org.au\/?page_id=1574"},"modified":"2022-12-15T14:20:29","modified_gmt":"2022-12-15T03:20:29","slug":"songs-and-the-conscription-debate-in-world-war-i","status":"publish","type":"page","link":"https:\/\/www.oldtreasurybuilding.org.au\/songs-and-the-conscription-debate-in-world-war-i\/","title":{"rendered":"Songs and the conscription conflict in World War I"},"content":{"rendered":"\n\n\t
Music was an important part of\u00a0cultural life\u00a0in Australia during World War I.\u00a0Brass bands played at recruiting events and marched enlisted soldiers off to war. Where a full band could not be found, a simple drum and fife band might suffice. The National Anthem (God Save the King at this time) was sung at public events and in schools, to inspire patriotism. Its shortened version was often played at the beginning of concerts, or at the cinema, as a mark of loyalty and respect. It was customary (even obligatory) to stand for the anthem.<\/p>\n
At a popular level there were songs for all occasions – stirring songs to encourage patriotism (‘Australia Will be there’), sentimental songs to console those at home (‘Keep the Home Fires Burning’, ‘Send Me Away with a Smile’), even a few\u00a0humorous songs like ‘Oh\u00a0it’s a\u00a0 Lovely War’, carefully composed to avoid the censor and first performed on the vaudeville stage.\u00a0 People heard these songs in the music halls, or if they were lucky, on the new phonographs,\u00a0but most probably\u00a0learned them\u00a0around the piano in their own and others’ homes.\u00a0There was a\u00a0strong trade in sheet music during the war.<\/p>\n
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We know a little about the songs sung at conscription meetings, although more about those sung by the ‘No’ side, than the ‘Yes’.\u00a0That is because the details of ‘No’ meetings and demonstrations were often recorded by plain-clothes policemen in the audience, looking for proof of sedition. Their laboriously hand-written notes are preserved in the archives and they include references to the songs\u00a0they heard.<\/p>\n
Newspaper accounts sometimes mentioned that songs were sung at pro-conscription meetings.\u00a0 They included the stirring song of loyalty to Empire ‘For auld lang syne, Australia will be there’, written for the AIF in 1914 by Walter William (Skipper) Francis and performed\u00a0for the King\u00a0in 1915. Pro-conscriptionists sometimes disrupted anti meetings by singing this song loudly, along with ‘Boys of the bull dog breed’.<\/p>\n
Supporters of the ‘No’ campaign had access to a range of socialist songs, imported into Australia with the Industrial Workers of the World (IWW). They included ‘Solidarity Forever’ and the ‘Red Flag’, songs that continued to serve the labour movement for many decades. The IWW or Wobblies made great use of song to stir their supporters and to unite them in the workers’ cause.<\/p>\n
Amongst women of the anti-conscription movement the most effective song of the war was undoubtedly the American anti-war song ‘I didn’t raise my son to be a soldier’. It was often sung at the start of meetings of the Women’s Peace Army by socialist feminist singer Cecilia John<\/a>.\u00a0\u00a0Her fine contralto voice stirred listeners so effectively that government banned the singing of this song for the duration of the war. Those who persisted in singing it could be arrested – and were.<\/p>\n <\/p>\n The Victorian Trade Union Choir very kindly recorded some of these songs for the exhibition A Nation Divided: The Great War and Conscription<\/a>. <\/em>The recordings can be accessed here.<\/p>\n The lyrics as recorded are reproduced below.<\/p>\n\t The Red Flag<\/strong><\/p>\n Lyrics by Jim Connell<\/p>\n\nThe recordings –\u00a0The Victorian Trade Union Choir<\/h3>\n