Old Treasury Building

Sitting at the top end of Collins Street in the Melbourne CBD, the Old Treasury Building is widely regarded as one of the finest 19th century buildings in Australia.

The Old Treasury building was designed by nineteen-year-old architect JJ Clark and built between 1858 and 1862.

What can I see?

The Old Treasury Building hosts the original gold vaults where gold bullion was stored during the gold rush era, as well as rare and historic documents from Public Record Office Victoria highlighting key moments from Victoria’s history.

Come and explore the intriguing gold vaults and you may earn yourself a gold licence!

Open Sunday to Friday (closed every Saturday), Free entry
(schools and groups by appointment ONLY)

New exhibit opening soon:

Melbourne as Nations Capital

FREE floor talk program available here.

Dangerously Suspicious, ST Gill. Courtesy State Library Victoria.

Wild Colonial Boys: Bushrangers in Victoria

Colonial Robin Hoods or murderous thugs? Discover new stories of Victoria’s bushrangers

If you thought you knew all about Victoria’s bushrangers, think again. There’s far more to it than the story of Ned Kelly.

This exhibition will reveal the long history of bushranging in Victoria, with some new and little-known characters from our frontier past. Meet the first bushrangers convicted in 1842 who were tried and executed publicly as an example to others. And the audacious gang who held up travellers on St Kilda Road in the 1850s. Visitors can also meet the oldest bushranger, and the youngest – John (Jack) Doolan, who inspired part of the well-known bushranging song The Wild Colonial Boy. The Kelly Gang will be there too of course. There’s no story of bushranging without Ned!

Were they indeed nineteenth century ‘Robin Hoods’ – or just common criminals? We’ll leave you to judge.

Paintings of Early Melbourne

'Evening on the Yarra, Melbourne', Watercolour by Henry Easom Davies, c. 1856

Join us for an exclusive tour of this fascinating collection of Early Melbourne paintings. Drawn from the private collection of the Roy Morgan Research Centre, this unique display of oil paintings, watercolours and lithographs provides an insiders glimpse into the early beginnings of colonial Melbourne, from swamp town to the opulence and wealth of the gold rush era. Along your tour, notice our incredible architectural interior features and unique collection of 19th century furniture, all original and purpose-built for the building in the 1860s. 

Friday 17 March at 11am
Wednesday 19 April at 11am
Sunday 14 May at 11am
Thursday 8 June at 11am
Monday 10 July at 11am
Friday 18 August at 11am
or by appointment.

Bookings essential:
Cost: $8 Adults
Bookings: 9651 2233 or bookings@otb.org.au

Victorian Display

The Deakin Room currently holds a display of Bendigo, and Victorian Art Pottery, kindly on loan from the Roy Morgan Research Centre Collection.

Bendigo Pottery
George Duncan Guthrie (1828-1910), a Scottish Potter, left Scotland to travel to Australia to join the gold rush of the 1850’s. Guthrie arrived penniless, and found no luck in the goldfields; however, he did find a deposit of fine white clay and set up Australia’s most illustrious Pottery works at Huntley, Bendigo in 1857. The Pottery continued business until its closure in 1861. In 1863, Guthrie established a pottery at Epsom, which he later sold in 1882. In 1898 Guthrie entered into a partnership with Mr Edwin J. Hartley and re-purchased the Bendigo Pottery, which he ran almost until his death in 1910.

Victorian Art Pottery
William Ferry 1887-1910, worked at the Linthorpe Art Pottery, in Middlesbrough, England, where he worked under the designer Christopher Dresser. William and his elder brother Graham were the principle sculptors for Christopher Dresser and also with Burmantoff’s Pottery, where he later became manager. In 1894 he moved to France and worked at the Niderville Pottery until 1896, when he moved to Australia. By 1898, he leased land in Brunswick, Melbourne, where under the name of Victorian Art Pottery he produced hand finished art wares, often using moulds he had brought from England. He gained a reputation for his beautifully made, colourful and decorative Jardinières, Pedestals and Grotesques. The works closed in 1912.